7/18/19 – 7/24/19
Here are the few movies we’re most excited about that are playing in New Orleans this week and are presumably much, much worthier of your time & money than the goddamn Lion King remake.
Movies We Haven’t Seen (Yet)
The Art of Self Defense – Jesse Eisenberg stars in a Foot Fist Way-reminiscent dark comedy set in a martial arts studio, satirizing Men’s Rights Activists and the general milieu of toxic masculinity. Playing only at AMC Elmwood.
Crawl – The killer shark genre has already been revived in recent summertime trash titles like The Shallows & 47 Meters Down, so we’re far past due to bring back an even cooler killer creature from schlocky cinema past: the alligator. There’s no telling whether Crawl will stack up to killer-gator classics like Alligator & Alligator People, but our trashy, swamp-dwelling asses are excited no matter what.
Wild Rose – Irish pop singer Jessie Buckley follows up her excellent performance in last year’s criminally underseen thriller Beast with a critically lauded film about an aspiring country musician from Scotland. Features songwriting contributions from Mary Steenburgen of all people, who claims to have woken up from an arm surgery with the uncanny ability to write country hits. Playing only at AMC Elmwood.
Movies We’ve Already Enjoyed
The Last Black Man in San Francisco – One of the best movies of the summer is a bizarre Sundance drama about gentrification & friendship. A wildly inventive directorial debut that filters anxiety & anger over housing inequality through classic stage play Existentialism & Surrealism touchstones like Waiting for Godot and Rosencrantz & Guildenstern are Dead. Playing only at The Broad Theater.
Midsommar – Ari Aster’s follow-up to Hereditary is yet another lengthy, morbidly funny meditation on grief, but this time wrapped around the folk horror template established by The Wicker Man. It’s a divinely fucked up melodrama about empathy, gaslighting, breakups, and finding your flock – whether they be academia bros or bloodthirsty cultists.
But I’m a Cheerleader (1999) – A brilliant coming-of-age queer teen comedy that filters the abusive horrors of gay conversion “therapy” through a 90s John Waters aesthetic while somehow maintaining a sweetness & empathy that combination should not allow. Easily one of the greatest films of all time, fresh off its 20th anniversary. Screening free to the public (with donations encouraged) Wednesday 7/24 at the LGBT Community Center of New Orleans.