I love this queer, 80s bodybuilder crime thriller. It’s got such a subtle horror and fantastical style to it that just builds and builds until you get a truly magical ending. Both of the main characters are terrible people who you know are super toxic for each other, but you want them to have a happy ending anyway. Kristen Stewart plays another lurking weirdo of a character, Lou, who becomes a Renfield for Katy O’Bryan’s manipulative, aspiring bodybuilder, Jackie. It’s a hot, sweaty, violent mess of a movie. I’m glad we have a movie about terrible gay women getting away with murder.
Also, there’s a cat named “Happy Meal.” Enough Said.
2. Last Things
I love a good geology documentary, okay? Then you add in a Chris Marker-esque narrative about rock beings taking over the Earth after humans have had their destructive reign. There are so many beautiful images of rocks, so many interesting experts talking about geological evolution (absolutely fascinating!!), and so much hypnotizing French narration.
Rocks were here before us, and they will be here long after we’re gone. Yes, we’ve gradually changed each other but, ultimately, they’re winning the “How bad can everything get while still surviving?” game.
This movie is a kaleidoscope of nostalgia, gender dysphoria, teen angst, and general bad vibes. For some reason, in my head, I want to call it pastel angst-core, which is a cringy phrase that I hope never catches on. Two misfit teens, Owen and Maddy, bond over a show called The Pink Opaque (yeah, it’s a good Cocteau Twins reference), a supernatural teen horror featuring a protagonist named Mr. Melancholy. As Maddy and Owen’s friendship progresses, the line between the show and real life blurs. Maddy, having completely taken the show as true, abandons her life and runs away. Owen stays. He lives a boring “real” life: dead end job, boredom, depression. The Pink Opaque is not what he remembers, or has Mr. Melancholy trapped him?
Okay, I think when making this movie Bertrand Mandico entered my brain and just picked out the cool parts where I think about swords, glitter, gross gore, and amazing clothes. It truly is the movie that most encompasses my style goals. (Although, there’s a glitter ban in my house per my partner’s request. *sigh*) Conan the Barbarian is reimagined through the ages as a woman. She fights through other Barabarians to claim her place at the top, becoming a stunt woman with no regard for safety, a war criminal, and finally a rich billionaire patron of the arts with investments in mines, oil, and everything evil. Having a female main character strips the Barbarism concept of masculinity and boils it down to its roots: unimaginable cruelty by human hands, which has no gender. Also, there’s a paparazzo dog demon named Rainer who wears really cool jackets, and pants after Conann through it all. It’s a fever dream of blood, once again glitter, and really cool fashion.
Jean Kayak makes Apple Jack. In a beaver related accident his entire apple orchard burns down, and his distillery explodes. He is left to fend for himself during a brutal midwestern winter, eventually becoming a fur trapper, who falls in love with a shop keeper’s daughter. Then, he hunts down and gains a grudge against, yes you guessed it, HUNDREDS OF BEAVERS. All of this is done in the style of early silent slapstick comedies, while also mixing in some more modern jokes and videogame references. Oh yeah, no animals were harmed in the making of this movie, because literally every animal is played by people in mascot costumes. Basically, this is a movie full of silly madness and Looney Tunes style visual gags. It goes so many places and not a single one is somber or serious. Truly a movie that exists to just be a silly adventure, and I appreciate it for that.
-Alli Hobbs





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