Episode #98 of The Swampflix Podcast: Head (1968) & Psychedelic Musicals

Welcome to Episode #98 of The Swampflix Podcast. For our ninety-eighth episode, Brandon is joined by Aaron Armstrong of the We Love to Watch podcast to discuss the stoney-baloney world of psychedelic musicals, with a particular focus on The Monkees’ irreverent war protest freak-out Head (1968). Enjoy!

You can stay up to date with our podcast through SoundCloud, Spotify, iTunes, Stitcher, TuneIn, or by following the links on this page.

-Brandon Ledet & Aaron Armstrong

Episode #46 of The Swampflix Podcast: Cat Peoples & Sleepwalkers (1992)

Welcome to Episode #46 of The Swampflix Podcast! For our forty-sixth episode, we explore the rich cinematic world of werecats & incest. Brandon and Pete Moran of the We Love to Watch podcast discuss the classic Val Lewton horror production Cat People (1942) and its trashy, New Orleans-set 1980s remake. Also, Pete makes Brandon watch the Steven King-penned werecat camp spectacle Sleepwalkers (1992) for the first time. Enjoy!

-Brandon Ledet & Pete Moran

Episode #45 of The Swampflix Podcast: NOFF 2017 & Pee-Wee’s Big Adventure (1985)

Welcome to Episode #45 of The Swampflix Podcast! For our forty-fifth episode, we dive back into the risky, exciting world of Skype recordings & guest hosts. Brandon and CC review the overwhelming list of films they caught at this year’s New Orleans Film Fest, from the Oscar hopefuls to the never-to-be-properly-distributed rarities. Also, Brandon makes Pete Moran of the We Love to Watch podcast watch the classic Tim Burton debut Pee-Wee’s Big Adventure (1985) for the first time. Enjoy!

You can stay up to date with our podcast through SoundCloud, iTunes, Stitcher, TuneIn, or by following the links on this page.

-Brandon Ledet & CC Chapman

Cross-Promotion: Xanadu (1980) on the We Love to Watch Podcast

I was recently invited back as a returning guest on an episode of the We Love to Watch podcast to discuss the ELO-scored disco musical Xanadu. In our recent Movie of the Month discussion of Cool as Ice, the rap-oriented Vanilla Ice reimagining of the Marlon Brando classic The Wild One, I rambled loftily about the beautifully absurdist space where art & commerce collide in the precious few cult classic movies that actually live up to their “so bad it’s good” designation. Xanadu is a perfect example of the exact dynamic I was getting at in that conversation, the sublimely strange accidents where cinema is nakedly exposed to be both art and commerce, cynically so. Instead of selling Vanilla Ice as a tough guy leading man material, however, Xanadu is tasked with marrying the spectacle of Old Hollywood musicals (represented in the film by Gene Kelly) with a then-fresh sense of disco futurism (represented by Olivia Newton John & ELO). As you’ll hear in the episode, the results aren’t consistently cohesive or competent, but they are always memorably bizarre. More importantly, they also point to a very specific kind of movie magic where blatant commercialism accidentally stumbles into the territory of fine art.

Besides having the chance to further explore this idea of cinema’s dual role as art & a product, it was super fun to return as a guest to a show I listen to regularly. Aaron & Peter were incredibly kind to invite me back after we discussed The Fly (1958) last October. Their podcast is wonderfully in sync with the sincere & empathetic ethos we try to maintain on this site (especially when covering so-called “bad movies”), so I highly recommend digging through old episodes & clips on the We Love to Watch blog & YouTube page. And, of course, please start by giving a listen to their episode on Xanadu below.

-Brandon Ledet

Cross-Promotion: The Fly (1958) on the We Love to Watch Podcast

inaworld

I was recently invited to join in on an episode of the We Love to Watch podcast to discuss the iconic 1958 Vincent Price sci-fi horror The Fly. It’s always great to have a chance to talk about the original version of The Fly, which is generally overshadowed by its wonderfully grotesque Cronenberg body horror remake, because has its own merits & idiosyncrasies that can often be too easily dismissed or misremembered. On a more personal note, though, it was also just fun to join in on a podcast I listen to regularly as a fan.

It’s already pretty rare to find a podcast as in tune with my own taste in film as We Love to Watch, but the show is even more remarkable in the way it approaches its selections from an honest & receptive place. Co-hosts Pete Moran & Aaron Armstrong have the easy chemistry of long-time friends, which makes for a consistently pleasant listen, even when they disagree or digress at length. More importantly, though, they discuss all films sincerely and humbly. They always looking for the legitimate value in a work, no matter how prestigious or seemingly insignificant, instead of an excuse to tear it down, which is exactly the way we strive to approach criticism in our own reviews on this site.

Give a listen to We Love to Watch’s episode on The Fly below! For fans of the Cronenberg remake, check back with them next week for an episode on that practical effects masterwork as a point of contrast. You can also dig through old episodes & clips on their blog & their YouTube page if you like what you hear. They tend to cover a lot of the same territory we do here, both on our own podcast & in our reviews (The Thing, Southland Tales, Possession, High-Rise, Phase IV, etc.), often with a completely different, playfully enlightening take on the material. Enjoy!

-Brandon Ledet