If I had a nickel for every 2025 picture about a woman named Iris going on a romantic retreat with her boyfriend only to learn that he means much less to her than she thought, I’d have ten cents. What, were you expecting a Doofenschmirtz joke here? Please, I’m almost forty. 

Iris (Molly Gordon, who also has a “story by” co-credit) and Isaac (Logan Lerman) are on their first romantic weekend away together after seeing each other for four months. The two abscond to a rented farmhouse in High Falls, NY, where things seem to be going really well. They have great sexual and conversational chemistry, and they end the first lovely day together with a scallop and pesto pasta meal that Isaac prepares before they head to the bedroom, where they use the bondage gear that they discovered in a locked closet to cuff Isaac’s wrists and ankles to the bed. Afterward, when Iris starts to talk about their relationship, Isaac tells her that he never assumed that they were exclusive, and the conversation they previously had about their status was interpreted differently on both ends; she thought that they were dating dating, and he assumed that she simply didn’t want him to have unprotected sex with other people. Hurt (and more than a little drunk), Iris leaves Isaac chained up while she spends the rest of the night frantically googling ways to make him realize that she’s the one. The next morning, she tells him that she’ll uncuff him after twelve hours but that she intends to spend that time convincing him that they are meant to be together. After this time elapses, however, Isaac still isn’t won over, so she refuses to release him and calls her best friend, Max (Geraldine Viswanathan) for help, not realizing that she also brought her own boyfriend, Kenny (John Reynolds), whose Law & Order expertise means he knows that what Iris has done is a felony, and she’s now made Max and Kenny accessories. 

Molly Gordon is a lot of fun here as the deranged Iris, whose actions are unjustifiable but also ultimately sympathetic. If you had Logan Lerman chained to a bed, would you ever let him go? I didn’t think so. At one point, Max explains to Iris that Isaac is a “soft boy,” a variation on the fuck boy archetype who uses apparent emotional vulnerability and openness as a manipulation tactic to make women fawn over them, and she’s not wrong. Although we get a hint that Isaac is a bit of a dick in the film’s opening scene, wherein he flirts with a roadside strawberry stand worker with little to no regard for Iris’s feelings as she watches the whole thing go down, his actions once they get to the farmhouse are openly romantic and sweet, playing the part of the perfect boyfriend through and through. The cracks show once he’s been chained to a bed for over half a day, but one can hardly hold it against him that he resents the position that he’s been put in, even if what’s happening to him is not totally undeserved. Iris is doing something that we all have fantasized about doing at one point or another in our lives: forcing the object of our yearning and affection to spend enough time with us that they realize that it’s foolish not to give things a real chance. Although my daydreams about getting a heartbreaker to settle down have never involved a bound Logan Lerman (that’s filed under a completely different section of my fantasy catalog), one can’t help but appreciate the feelings that Iris has, even if we can’t justify her actions. 

Max and Kenny arrive at the midpoint of the film, and they’re delightful as well. Max is all-in on helping Iris get her man, even after she realizes that her U.S. visa is endangered by her presence at the scene of the crime, and Kenny’s devotion to her is admirable and charming to watch. John Reynolds calls to mind his characters from Horse Girl and Save Yourselves! here, and it’s an archetype he’s quite good in (so much so that he’s able to leverage it into something more sinister, as he did in the second season of Yellowjackets); he feels settled. After having to play second fiddle to Margaret Qualley in Drive-Away Dolls last year, Viswanathan gets to roll out the comedic chops that she demonstrated on Miracle Workers, and even though she’s billed lower this time around, it’s great to see her having so much fun. Her absolute insistence that her witch cousin’s spell to make Isaac forget the last two days will work is a delight to watch, especially as it spells out just how desperate the situation has become and Viswanathan’s conviction sells the scene. It doesn’t work, of course, but a playing-along Isaac does have a dream about Iris that indicates although Iris’s attempts to make him hers aren’t likely to be successful, Isaac’s faux self-reflection may be replaced by actual inspection of the issues he has that lead him to treat relationships as casual and disposable. Lerman isn’t called upon to do too much heavy lifting, acting-wise, but his underplaying of the scene in which he plays along to finally escape and his heartfelt conversation with Iris once she helps rescue him in the woods after he injures himself demonstrate that he’s more than just a toned chest and a pretty face. 

A nice, easy, fun romcom for anyone in the mood for it, Oh, Hi! is currently available on Netflix. 

-Mark “Boomer” Redmond