I really do try my best to not be a snob. I pride myself in being able to evaluate films on their own terms, careful not to dismiss a work outright because of its genre or budget or level of prestige. Still, I obviously have personal hang-ups & biases I’ll never be able to look past, and they do make me helplessly snobbish about certain movies from time to time. One of these major hang-ups is my general distaste for computer-animated children’s films, including from widely beloved institutions like Pixar. Outside of more adventurous experiments in form like Spiderman: Into the Spiderverse, the majority of CG animation looks like dogshit to me. Even films that’re praised by industry experts for their exquisite, time-consuming animation of ocean waves or animal fur look lazy & uninspired to my biased eye, so I know this is a personal hang-up and not some objective truth. Meanwhile, I’m easily wowed by traditional 2D animation even if the movie is objectively lazy & uninspired, as is the case with the straight-to-video sci-fi anime The Humanoid.
The Humanoid is a 45min relic I found collecting dust on YouTube, where all forgotten media goes to effectively disappear. At first glance, it appears to be a backdoor pilot for a retro Saturday morning cartoon show, introducing the audience to a Alien-knockoff spaceship crew who travel from job to job, planet to planet, collecting paychecks by doing Good. This particular mission feels fairly self-contained, as the crew meets the titular humanoid—an android named Antoinette—who’s learning to become more human while also protecting her home planet from colonizer corporate villains. There are a couple stray laser fights & chase scenes peppered throughout the film, but most of the story concerns Antoinette’s struggles with human emotions & desires, as well as her ultimate decision to sacrifice herself to save the spaceship crew, so they can putter onto their next adventure. The result is that the only compelling character in this would-be series pilot dies at the end of the “episode,” making it difficult to imagine the adventure continuing in future installments. There’s also a decisive finality to this hilariously overwritten epilogue addressed to Antoinette, which also suggests this was always meant to be a standalone piece:
“Who can say a machine has no soul? Aren’t humans machines too? Mechanisms of flesh and blood. Across the endless light-years . . . life, mind, and spirit must flourish in a variety of forms. And as long as there is life, there will be love. Antoinette — I’m sure we’ll meet again, somewhere in the vastness of time. Until then, I send my blessing. Wherever you may be.”
If The Humanoid isn’t a pilot for a Saturday morning cartoon show, what is it exactly? My best guess is that it’s a coffee commercial — not for any particular brand of coffee, mind you, just for the general, basic concept of Coffee. There’s very little in the way of thrilling robo action in this film, but there are plenty of hilariously inane conversations about how great the coffee is on the planet-of-the-week. Seriously, there are at least five lengthy discussions of its robust flavor & aroma. The film’s opening narration includes the line “It’s only memories of Earth and the rich smell of this coffee that keeps my spirits up.” It’s closing scene muses “Coffee? my salvation from my day-to-day drudgery”. In-between, characters occasionally interject “This coffee tastes great!” just to keep the product at the top of the viewer’s mind. It’s maddeningly inane, making you question whether the generic villains’ quest for a MacGuffin “energy source” on the planet will ultimately result in the discovery that there is no power source greater than the rich, bold pick-me-up you can find in a hot cup of joe. And, as an advertisement, it totally works! I desperately want a cup of coffee right now.
So, here we have an action-light sci-fi cheapie that’s supposed to be about an android’s quest for human emotion, but it is actually about how great coffee tastes. The thing is, though, that it still looks great. This might be straight-to-VHS fluff with a retro Saturday morning cartoon vibe, but its animation is intricately detailed & vibrantly imaginative, especially as it builds to its explosive, overwrought climax. It’s hard to imagine any modern-day, computer-animated children’s media putting this much effort into its visual aesthetics, and this really is the bottom of the barrel in terms of passionate anime artistry. I try my best not to be a grump about how modern media doesn’t stack up to my nostalgia-tinged memories of the types of media I happened to grow up with. Comparing the look of low-effort 80s schlock like The Humanoid to today’s $200mil CG animation monstrosities is too depressing to ignore, though. I genuinely feel like we’ve lost a basic attention to visual craft (or at least a collective sense of good taste) in animated media over the decades. At this point, it’s only the memories of vintage cartoons and the rich smell of coffee that keep my spirits up.