Every now and then a great celebrity name like a Rip Torn or a Royalty Hightower will jump out at you as a kind of artform unto itself, but I don’t think I’ve ever encountered a name quite like Rainbow Harvest before. Ms. Harvest was an actress & a public figure for a brief stretch in the early 90s, making something of a career out of vaguely resembling Lydia Deetz from Beetlejuice. At least, that’s the most I can gather from Google Image searches & her lead role in the 1990 horror cheapie Mirror Mirror. In a sea of 90s-era pastel prairie dresses & loose, faded blue jeans, Rainbow Harvest stands out vividly as a goth teen who lives every day like it’s Halloween. I can’t say there’s anything particularly exceptional about her performance in Mirror Mirror, but it is exceedingly difficult to take your eyes off her and her name alone ensures you’ll never forget who she is.
If there’s anything especially interesting about Mirror Mirror‘s narrative it’s that it telegraphs the basic elements of two superior horror movies that would follow years after its arrival: Oculus & The Craft. A goth teen arrives in a new town with a dead dad and an excess of angst. Feeling like a total outsider, she finds solace in newfound friends that grant her dangerous witchcraft powers that allow her to enact petty revenge on her bullies. Where Mirror Mirror deviates from The Craft is that this goth teen’s black magic friendships are with an evil antique mirror and the demon who lives inside it, recalling the basic premise of Oculus. Of course, our goth girl antihero’s new powers backfire and her casual evocation of the mirror demon snowballs in a dangerous, deadly way. The only thing that subverts what you might expect from this Oculus vs. The Craft plot mashup is a supernatural twist ending that acts as a last minute rug pull. I guess there’s also a slight novelty to the outsider teen being bullied actually being the real monster in a story like this, but teen girls are punished for transgressing outside the bounds of their limited agency all the time in film, so that aspect ultimately feels like par for the course.
Mirror Mirror is a decidedly minor work despite those narrative prototypes for better horror films to follow, but it’s charming enough in its smaller details to stand out as an entertaining trifle. The very idea of dark mirror realm magic has a dream logic charm to it that leads to some inventive teen bully kills. As the mirror oozes blood & covers itself with flies, its victims similarly bleed and swat away pests. There are plenty of horror films where girls are killed in showers, but this is the first I’ve seen where girls are killed by a shower, not to mention at the hands of an off-screen mirror demon. Speaking of the demon, my favorite scene in Mirror Mirror is a ludicrous moment if morbid teen narcissism where Rainbow Harvest makes out with her own reflection, Neon Demon style, and the devil’s hand extends from behind the glass to feel her up. It’s wildly over-the-top stuff the film could’ve used more of. Mirror Mirror also could’ve used more of actors like Karen Black (extending her horror resume beyond titles like Trilogy of Terror, Burnt Offerings, and Invaders from Mars & curiously trying on a new wig every few scenes) & Steven Tobolowsky (a That Guy! type most recognizable from his insurance salesman role in Groundhog Day) to add an air of legitimacy to what often feels like straight-to-VHS schlock.
I still found the movie enjoyable overall, though. It’s at least 20 minutes overlong for what it accomplishes, but it boasts enough inventive kills, 90s fashion quirks, and trippy plot twists in its goth girl/antique mirror buddy picture premise to remain a delight. I’d be a liar, though, if I didn’t admit that the most memorable aspect of Mirror Mirror was the real-life name of its star. Rainbow Harvest will likely stick with me as a celebrity for far longer than anything she actually did in-character. It’s the kind of name that is a work of art all on its own.