The most immediate, visceral reaction I had to our current Movie of the Month, the 1996 children’s fantasy nightmare Magic in the Mirror, is that it’s an absurd abomination that should not exist. While the movie makes some strides to justify its hideous existence though a half-hearted allegory about how imaginative kids are overlooked & undervalued, that well-intentioned narrative is just a thin sheen on the unintended horror of the film’s villains: “The Drakes.” For a kids’ movie about humanoid ducks who boil people alive to make tea because they enjoy the way it tastes, Magic in the Mirror can be surprisingly sinister. There have been plenty low-budget rehashings of Alice’s Adventures in Wonderland over the decades, so the film doesn’t particularly stand out in its fairy tale premise of a young girl learning the ways of the adult world by traveling into an alternate magic realm through an antique mirror. The bargain basement, Howard the Duck-looking freaks that await her there do tend to linger with you in their own nightmarish way, however, and are the only pressing reason for thrill-seekers to dig the film back up from its VHS-era gravesite. If the largely forgotten, viscerally upsetting Magic in the Mirror shouldn’t exist, the existence of it dirt cheap, Drake-focused sequel is even more of an affront to humanity and all that is good in the world.
Like all schlock peddlers, producer Charles Band has hinged his entire career on aggressive frugality. Years after the abandoned production of a fantasy film titled Mirrorworld shut down, Band’s children-friendly Full Moon Entertainment sublabel Moonbeam Entertainment recycled materials from the unfinished work to create the horror that is Magic in the Mirror. Band’s frugality knows no bounds, though, and he managed to squeeze two productions out of Mirrorworlds’ discarded scraps. There isn’t much extratextual info available about Magic in the Mirror (this may be our first Movie of the Month selection without a standalone Wikipedia page), but it appears the film earned minor theatrical distribution through Paramount Pictures. A straight-to-VHS sequel to the film was produced simultaneously with the original, though, and both releases reached US audiences in 1996. It should be a smooth transition between the two pictures then, as if they were one 3-hour movie with a credits sequence intermission. Many of the potential pitfalls of cheap kids’ movie sequels should be avoided in a back-to-back production like this: the main kid shouldn’t have time to age out of their role and the shared cast & crew should ensure some level of consistence in overall quality. Somehow, the quality drop between Magic in the Mirror & Fowl Play was still notably drastic. Even as ill-conceived & glaringly cheap as the original Magic in the Mirror feels, it’s apparently the Citizen Kane of tea-drinking duck people fantasy cinema.
Magic in the Mirror: Fowl Play is at least promising in its basic premise. After a quick (and necessary) recap montage detailing the events of the first film, Fowl Play reverses the original dynamic by having the terrifying duck people invade our world through the magic mirror for a change. I’m always down for a fun suburban invasion premise (which is why The Lost World is my favorite Jurassic Park movie, don’t @ me), but this dirt cheap, sub-Full Moon Production doesn’t follow through on the premise in any significant way. Instead of filming the humanoid duck tea-enthusiasts as they terrorize & boil alive the people of a small American city, the film frugally confines most of its runtime to a single living room. The evil mirror realm duck people merely mix in with guests at a lame, daytime costume party in a cheap living room setting, threatening menace in plain sight, but never delivering. What initially seems like a great premise for a Magic in the Mirror sequel eventually reveals itself to be another shrewd financial choice among many. The Drakes don’t invade our world through the mirror to open up the possibilities of the plot; they do it because the sets were even cheaper to maintain than the leftover scraps of Mirrorworld. It’d be impressive how this movie was pulled out of thin air if it weren’t so frustrating to watch as an audience.
From the cheap sets to the comic misunderstanding plot, Fowl Play feels like the pilot for a syndicated Magic in the Mirror TV show more than a proper sequel (I’m specifically thinking of the deservedly forgotten Honey I Shrunk the Kids TV series). The movie even ends with the protagonist from the first film making her first human friend, as if their weekly adventures were going to continue into perpetuity. Alarming details, like lipstick on a duck bill or carefully-prepared murder tea, carry over form the first film, but in smaller, cheaper doses. While Magic in the Mirror makes motions to justify its mallardian horrors with an overarching theme of childhood isolation, Fowl Play doesn’t bother. Its only narrative conflict is whether or not an already awkward costume party might become more of a disaster as it goes along, which I’m pretty sure has been the plot of many sitcom episodes. Magic in the Mirror was cheap, but at least it was somewhat ambitious. Fowl Play looks like it was scraped together in a panic as production on its predecessor was being shut down (which might actually be the case). The only scenario I could imagine where someone is really into it would be if they saw it before the first film and were caught off-guard by the ghastly visage of the Drakes. Even then, they’re given less screentime & less to do here, even though they’re referenced in the awfowl pun title.