Here are the few movies we’re most excited about that are playing in New Orleans this week, including some high-brow art cinema and some dumb-as-rocks summertime trash.
Movies We Haven’t Seen (Yet)
Crawl – The killer shark genre has already been revived in recent summertime trash titles like The Shallows & 47 Meters Down, so we’re far past due to bring back an even cooler killer creature from schlocky cinema past: the alligator. There’s no telling whether Crawl will stack up to killer-gator classics like Alligator & Alligator People, but our trashy, swamp-dwelling asses are going to be in those theater seats opening weekend no matter what.
Ash is Purest White – A Chinese crime thriller & class-conscious melodrama that competed at the Cannes International Film Festival in 2018 to outstanding reviews. Catch it on the big screen now so you’re not scratching your head when it pops up on Best of the Year roundups in December. Playing only at Chalmette Movies.
Babylon (1980) – A British cult classic about class disparity & racism in Brixton, starring members of the London reggae scene and featuring their music on the soundtrack. The film initially competed at Cannes in 1980, but never saw an official theatrical release in the US until this recent restoration. Playing for one week only at The Broad Theater.
Movies We’ve Already Enjoyed
The Wizard of Oz (1933) – Return to the pinnacle of Technicolor by watching this intensely, wonderfully artificial fantasy-musical on the big screen in the city’s oldest running movie theater. Screening Friday July 12 through Wednesday July 17 as dual programming for The Prytania’s Classic Movies series and Summertime Kids’ Films series.
Midsommar – Ari Aster’s follow-up to Hereditary is yet another lengthy, morbidly funny meditation on grief, but this time wrapped around the folk horror template established by The Wicker Man. It’s a divinely fucked up melodrama about empathy, gaslighting, breakups, and finding your flock – whether they be academia bros or bloodthirsty cultists.
Child’s Play (2019) – Although it’s a drastic deviation from the 1988 original in terms of plot & tone, this decades-later remake feels like the kind of nasty, ludicrous horror flick kids fall in love with when they happen to catch them too young on late-night cable – the exact too-scary-for-children-but-too-silly-for-adults dynamic that made the early Chucky movies cult classics in their own day.