britnee lombas

Nightbreed (1990)

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EPSON MFP image

fourhalfstar

campstamp

There are many reasons why Nightbreed has a special place in my heart and I am honored to give this cult classic a positive review. Yes, it was a box office flop and doesn’t have the best reputation, but Nightbreed was a victim of bad decisions made by big shot producers. Clive Barker is the mastermind behind this fantasy-horror flick and, unfortunately, he was majorly screwed over by the production studio. For example, the marketing department failed to promote the film properly as a horror-fantasy masterpiece, but instead got lazy and advertised the film as a slasher flick. This film couldn’t be farther away from being a slasher flick; it’s pretty much the gold standard of monster movies.

Now don’t get me wrong, the plot is a bit puzzling, but at the same time, it’s just so unique. Aaron Boone (Craig Sheffer) suffers from recurring nightmares that take place in Midian, the home to a society of monsters. While Boone is struggling with trying to figure out exactly what’s going on inside his head, there is a serial killer on the loose. Boone’s psychiatrist, Dr. Philip Decker (David Cronenberg), is well-aware of his issue, and attempts to convince Boone that he is the killer. It’s really hard to explain the rest of the plot without spoiling the film, but basically the mysteries of Midian begin to unravel, a few unexpected twists occur, and everything gets a little out of control.

Honestly, the critics were kind of right about the film’s underdeveloped characters and confusing plot, but can’t a movie just be tons of ridiculous fun? I think so, and that’s really what Nightbreed is all about. With loads of gore, terrible acting, rad monsters, and an incredible score by Danny Elfman, what’s not to love?

Right now the long-awaited Director’s Cut of Nightbreed is available on Netflix. Watch it before it gets sucked into Midian forever!

-Britnee Lombas

Britnee’s Top 5 Staircase Tumbles

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stairs

Who doesn’t love a good tumble down the staircase? They’re just so dramatic and over-the-top! I love them so much that I’ve decided to share my Top 5.

1. Death Becomes Her (1992) – Meryl Streep is better than everyone at everything, even falling down the stairs. Although there is more than one scene where her character, Madeline Ashton, takes a dive down a flight of stairs, the first fall takes the cake.

2. Hush…Hush, Sweet Charlotte (1964) – As Velma Cruther (Agnes Moorehead) is being very vocal about ratting out the film’s antagonist to the sheriff, a chair is smashed over her head and down she goes. Should’ve kept that mouth of yours shut, Velma.

(Note: that tumble takes place @1min30sec in that clip, but there are plenty of other great falls included there as well – even some from this list).

3. Kiss of Death (1947) – Ma Rizzo (Mildred Dunnock) is violently pushed down a stairwell in a poorly- constructed wheelchair. The wheelchair is so crappy that it falls apart before making it to the bottom. That poor “lyin’ old hag!”

4. Maternal Instincts (1996) – “Sorry? It’s too late to be sorry!” Delta Burke’s tumble down a set of industrial steps is the highlight of the film.

5. Fried Green Tomatoes (1991) – Ruth Jamison (Mary-Louise Parker) gets kicked down the stairs by her repulsive husband, and while it’s one of the films saddest moments, never has a fall been so graceful!

-Britnee Lombas

Back Street (1961)

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backstreet

fourstar

Based on the 1931 novel by the late, great Fannie Hurst, Back Street is a tragic film about the relationship between a man and his mistress. There are two other versions of this film that I have yet to see, but it’s only a matter of time until I get to the 1932 and 1941 Back Streets. I doubt that they will be able to top the decadent set designs and costumes from renowned designer Jean Louis, but I’m sure each film has an interesting take on this legendary love story.

Rae Smith (Susan Hayward) and Paul Saxon (John Gavin) meet by chance as Saxon is passing through Nebraska on military business, and they fall in love almost instantly. The problem is that Saxon is a married man. Once Smith finds out that he is married, she cuts him off and moves from Nebraska to New York as a form of therapy. She ends up running into him in New York after she has established a career in the fashion design industry. She rejects him once again and shortly thereafter earns an opportunity to move to Rome in order to expand her business. She immediately accepts, mostly because she wants to dismiss all chances of running into Saxon again. Guess whom she runs into in Rome? I swear he’s got some sort of tracking device on her. Once she runs into him, along with his entire family in Rome, she decides to just give in to the affair of her dreams. Of course, this doesn’t last for long and everything starts to fall apart as expected.

What I love most about this film is its ability to keep such a raunchy situation so classy. Their love just feels so authentic, mostly thanks to Hayward. I’m a pretty big fan of John Gavin, but this definitely wasn’t his best performance. He was just this sort of strange statue hanging around the set majority of the time (a very handsome statue at that). However, Hayward was, as always, astounding. Thankfully, the film focused more on her character than Gavin’s. Back Street is a film I watched years ago that I’ve kept on the back burner, but after watching it again recently it’s slowly becoming one of my favorite classics.

-Britnee Lombas

Swampflix’s Top Films of 2014

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1. Snowpiercer – A high-concept dystopian sci-fi parable, our choice for Movie of the Year is likely to leave you with more questions than answers. However, if you avoid getting wrapped up in the literal mechanics of how its world functions or in its generic political philosophy, there’s an excess of violence, absurdity, and genuine heart bending over backwards to entertain you. It’s a wildly exciting ride for those who stop questioning its methods and instead submit to its charms.

2. The Babadook – The best horror film of 2014 is flooded with genuine scares essential to the genre, but its true threat is more intimate & psychological than what you’d find in a traditional monster movie. The Babadook will linger in your mind for days, months. Maybe forever.

3. Gone Girl – The Lifetime movie this film pretends to be in its first half is merely a cover-up of the excessive, sociopathic spectacle lurking under the surface. Fincher proves again that he can do no wrong.

4. Interstellar – Grand, epic, visually striking. The volume & variety of complaints surrounding this wonderful film has got to be the most hilarious joke of 2014.

5. Blue Ruin – A grim, realistic, edge-of-your-seat revenge thriller that hits familiar beats carved out by directors like Jeff Nichols & The Coen brothers without ever feeling redundant.

6. We Are the Best! – A heartwarming story about three adolescents discovering their inner punks. These kids are the best.

7. Under The Skin – Haunting. Sparse yet loaded with unforgettable images & sounds. Glazer is a genius.

8. The Grand Budapest Hotel – Wes Anderson seems to be testing just how much Wes Anderson people can take with his last couple of features. When he’s working with images this strong & performances as hilarious as Ralph Fiennes’ is here, we can take a lot.

9 The One I Love – A romantic trip into The Twilight Zone that’s both hilarious & thought-provoking. We’re not sure if Romantic Horror is a genre, but this film might qualify if it were.

10. Venus in Fur – Disregarding Polanski’s personal life, you have to give him credit here for turning a delicate premise into such a humorous, sensual, and metatextual success. Venus is brilliantly acted, masterfully escalated, and wonderfully critical of both sex politics & theater as an art form.

HM. Obvious Child – Approaching a sensitive subject from a sincere & deeply empathetic place, this film deserves to be recognized as one of the all-time great romantic comedies. Or at least one of the best in recent memory.

-The Swampflix Crew

Read Britnee’s picks here.
Read James’ picks here.
Read Brandon’s picks here.

I Think We’re Alone Now (2008)

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tifanny

fourstar

Obsession with celebrities is something we have all experienced. Whether it’s scribbling “Mrs. Jonathan Taylor Thomas” on every inch of a notebook or writing absurd fan fictions about the members of One Direction, we have all participated in some form of celebrity obsession. But what happens when a celebrity obsession is taken to the extreme? Sean Donnelly’s 2008 documentary I Think We’re Alone Now focuses on two individuals that have an excessive obsession with Tiffany. Yes, Tiffany, the teen pop sensation from the 1980s. Jeff Turner (age 50) and Kelly McCormick (age 35) are both very bizarre individuals that share an unconditional love for Tiffany. She is more than a fantasy girlfriend or celebrity crush; she is their God. Tiffany ultimately consumes their lives.

When I first watched this documentary, I couldn’t help but find humor in the quirky lives of these two super fans. Turner’s peculiar laugh while he explains how Tiffany previously placed a restraining order on him made me chuckle. McCormick’s room filled with pictures of Tiffany and handwritten signs professing love to her brought out many deep belly laughs. I quickly became obsessed with this documentary about obsession and forced many people to watch it with me. It wasn’t until I watched the documentary for the fifth time that I started to notice something beyond the film’s humor.

I saw something more in Turner and McCormick than just two twisted, disturbing stalkers. I saw two lonely, misunderstood adults that are filled with passion and no one to share it with. What I love the most about them is their honesty. They say exactly what is on their minds, whether its reality or part of the fantasy world they created. There’s no sense of embarrassment or shame when either super fan elaborates on their Tiffany obsession. There are a few scenes with Turner and his emotionally abusive stepfather that were absolutely heartbreaking. He doesn’t have many close friends and one can assume he has a very unsupportive family that doesn’t give him the love and attention he deserves. McCormick is intersex and explains the struggles and emotional pain she has endured throughout her life, and much like Turner, she doesn’t have many friends or family members in her life. There is such a huge lack of love and understanding for both Turner and McCormick, and they believe Tiffany is their hero, an Aphrodite that serves as their guardian and protector giving them the strength to go on.

All in all I Think We’re Alone Now was the most uncomfortable 61 minutes that I’ve ever experienced. My cheeks were so sore from constantly cringing, and I caught myself constantly covering my face with my hands and peeking through the cracks of my fingers. That’s why I love this documentary so much. I commend Donnelly on his method of filming this documentary because it gives viewers the ability to be a fly on the wall in the lives of these two obsessive super fans. Turner and McCormick give a much deeper meaning to Tiffany’s one-hit wonder.

-Britnee Lombas

Britnee’s Top Films of 2014

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hobbit

1. The Hobbit: The Battle of the Five Armies – A magnificent ending to the king of all trilogies (in my opinion). Peter Jackson spends no time pussyfooting around with intricate storylines. Instead, the film jumps right into the action that fans have been anxiously waiting for.

2. Gone Girl – What starts out as a film that would most likely end up on the Lifetime channel turns into a sociopathic extravaganza. The film becomes so extreme that it’s very easy to miss the 5 seconds of fame granted to Ben Affleck’s penis.

3. Veronica Mars – What happened to V. Mars after the much-loved television series came to an end? So many questions that have been sitting in the minds of Marshmallows for years are finally answered with this Kickstarter-funded flick.

4. Into the Woods – This is a film that you will love or despise with every bone in your body. It’s literally a Broadway musical with CGI graphics coming out the wazoo.

5. Maleficent – More like Magnificent! Angelina Jolie was born for this role.

6. August: Osage County – “I really shouldn’t be laughing at this” will be going through your head the entire time. Black comedy at its finest!

7. The Babadook – An intimate, heartfelt horror film that lingers in your mind for days, months, maybe even forever?

8. The One I Love – A romantic episode of The Twilight Zone that offers lots of laughs and food for thought.

9. Snowpiercer – So many questions surround this unsettling dystopian flick, but the answers aren’t served on a silver platter, making this film an engaging experience for all viewers.

10. No Good Deed – Honestly, it’s pretty bad, but at the same time it’s tons of fun!

– Britnee Lombas