1. Hereditary– Toni Collette, my favorite actress of all-time, gives the best performance of the year in the best movie of the year. Hereditary falls somewhere between a heart-wrenching family drama and spine-chilling horror film. It’s beautifully haunting, and I haven’t stopped thinking about it since the first time I watched it.
2. Mandy – The most metal movie of 2018 (maybe even of all-time?). Nicolas Cage proves that he’s more than just a “bad movie” actor while playing a complete badass who gets revenge is the most brutal ways imaginable. It’s a headbanging, blood-splattering good time.
3. Unsane – Steven Soderbergh’s high-anxiety thriller is my worst nightmare. It stressed me out so much that I popped the hair tie that was around my wrist from pulling on it during all the intense parts. There were a lot of them.
4. The Ritual – The best Netflix horror film ever. It’s an amped up non-found footage version of The Blair Witch Project mixed with Norse mythology. The 2nd most metal movie of 2018.
5. Elizabeth Harvest – A modern, stylish retelling of Bluebeard with a fun sci-fi twist. The film has a slow pace yet manages to be entertaining the entire time. It’s absolutely mesmerizing.
6. Mom and Dad – Nicolas Cage and Selma Blair are suburban American parents that try to murder their children after an unexplained phenomenon causes parents to randomly start killing their kids. It’s wild and funny as all hell.
7. Paddington 2 – After watching so many horror movies this year, Paddington 2 was a nice change of pace. This movie lifted my spirits and made me want to be a better person. Paddington is my idol.
8. The Wild Boys – Brandon let me borrow his copy of the film a few weeks before the end of 2018, and it shot up my list immediately. It’s such a weird mix of beautiful imagery and disturbing scenarios that it made me smile and chuckle through the end.
9. Annihilation – A beautiful tale of life, death, and rebirth with lots of freaky sci-fi scares.
10. Apostle – Yet another fantastic Netflix horror film release from 2018. While it may seem to be a cheap knockoff of The Wicker Man in the beginning, it becomes a wild gorefest with tons of one-of-a-kind horror elements.
In the age-old folktale of Bluebeard, a well-to-do monster of a man gets into the habit of marrying women only to murder them once they disobey his one rule: do not look behind the forbidden door in his castle. Once his current wife gives into her curiosity and opens the door, she finds that what lies behind it is the corpses of his former wives. Sebastian Gutierrez’s most recent film, Elizabeth Harvest, is essentially the Bluebeard fairytale, but instead of the corpses if multiple dead wives, the room is filled with clones of one wife. It’s just as crazy as it sounds.
Henry (Ciarán Hinds), a seemingly innocent scientist, brings his new bride, Elizabeth (Abbey Lee), to his huge, mysterious, and obnoxiously clean home in the middle of the woods. The house is a mix of the glass house in the movie The Glass House and the Arboria Institute in Beyond the Black Rainbow, so it was both fascinating and terrifying. There are two caretakers in the home: Claire (Carla Gugino), a mysterious, quiet woman with an obvious connection to Henry, and Oliver (Matthew Beard), a young, blind man that mostly keeps to himself. The two add to the unwelcome feeling of the already spooky setting. As in the Bluebeard tale, Henry gives Elizabeth free reign of the home and all the luxuries that comes with it, but she is forbidden from entering one room. While Henry is away, Elizabeth enters the forbidden room only to find pods with clones of herself. Once Henry discovers what Elizabeth has done, the film shifts away from Bluebeard and becomes something entirely different.
Gutierrez throws in some impressive visual effects at all the right moments. There are a couple of scenes with split screens that focus on what different characters are doing in different parts of the home during highly intense moments, which I absolutely loved. There’s also lots of bold color and high fashion throughout the film, especially with Elizabeth. She has vibrant red hair, piercing blue eyes, and wears lots of haute couture. Watching her walk through different rooms in the home was like flipping through the pages of Vogue for a “Sci-Fi Meets High Fashion” issue. The film comes very close to being one of those style over substance works, but the uniqueness and intensity of the plot keeps it balanced.
Elizabeth Harvest is one of the most visually stunning films that I’ve seen come out this year. I love that it’s a très chic twist on the Bluebeard tale with just enough gore and mystery to satisfy the sci-fi horror nerd in us all.