Movies to See in New Orleans This Week 9/20/18 – 9/26/18

9/20/18 – 9/26/18

Here’s a quick rundown of the movies we’re most excited about that are screening in New Orleans this week.

Movies We Haven’t Seen (Yet)

Assassination Nation A feminist cyberthriller take on the Salem Witch Trials that appears to fall halfway between Unfriended & The Purge – like a meaner, glibber Nerve. This got extremely divisive reviews out of Sundance earlier this year, which has me twice as curious as I’d already be for any Evil Internet thriller, one of my favorite modern genres.

Lizzie – A costume drama/psychological thriller in which Chloë Sevigny plays famed 19th Century axe murderer Lizzie Borden and Kristen Steward costars as her servant/lover. I don’t know how to sell that premise to you if you’re not already on the hook. Only screening at AMC Elmwood.

A Simple Favor Paul Feig graduates from churning out over-the-top, female-led comedies like Bridesmaids & Spy to making an over-the-top, female-led noir in what appears to be a tongue-in-cheek riff on Gone Girl. I’m consistently pleased by his straight-forward comedy work, very curious to see what he can accomplish outside that genre.

The House with the Clock in Its Walls Eli Roth made a name for himself in one of horror’s worst creative slumps: the torture porn nu-metal aughts. He hasn’t been of much interest to me as a result, but recent tongue-in-cheek pranks like the Keanu Reeves head-scratcher Knock Knock have been slowly changing my mind on that, so his directing a PG-rated haunted house comedy for children certainly has an unignorable allure to it. I’m foolishly optimistic.

Movies We’ve Already Enjoyed

Mandy Panos Cosmatos’s follow-up to Beyond the Black Rainbow is being sold as a badass psychedelic freakout starring an unhinged Nic Cage in a heavy metal revenge fantasy. The truth is much stranger than that, as the film is in actuality a slow descent into the Hell of personal grief, much more grotesque & distressing than anything that could be considered feel-good badassery. It’s metal. It’s psychedelic. It deserves to be seen as big & as loud as possible. Just don’t expect it to be a party. Only screening at The Broad Theater.

BlacKkKlansman BlacKkKlansman is a much better-funded, more commercially minded picture than we’ve seen from Spike Lee in years, one that filters satirical jabs at Trumpian racial politics through a classic buddy cop genre structure & a historical look back at the not-so-distant past of the Ku Klux Klan. It’s been a while since a movie had me ping-ponging from such extremes of pure pleasure & stomach-churning nausea, making for one of the year’s most essential cinematic experiences.

SearchingFull disclosure: this one is a controversial pick among the Swampflix crew. It’s basically the Lifetime Movie version of Unfriended, where a trashy genre we love for its cruelty & absurdity is softened by safer, less goofy sentimentality so that it can appeal to the cheesiest of suburban parents. James & I complained about it at length on a recent episode of the podcast, but Britnee was a big fan, as she’s all-in on the Lifetime aesthetic. Either way you fall, it’s worthy of discussion and its success can only mean good things for a gimmicky, technophobic genre we all love.

Young Frankenstein (1974) – Kick off the Halloween season a week early with Mel Brooks’s horror-comedy classic on the big screen. Playing Sunday 9/23 & Wednesday 9/26 as part of Prytania’s Classic Movies series.

-Brandon Ledet

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