Movies to See in New Orleans This Week 4/25/19 – 5/1/19

Here are the few movies we’re most excited about that are playing in New Orleans this week and don’t slowly kill off all your favorite superheroes for three hours solid.

Movies We Haven’t Seen (Yet)

Rope (1948) – Hitchcock’s first Technicolor picture is a real-time thriller made to look like it was filmed in one continuous shot. Screening as part of The Prytania’s Classic Movies series Sunday 4/28 and Wednesday 5/1.

Amazing Grace A 1972 Aretha Franklin concert film that wasn’t fit for distribution until this year because of technical issues in its production (original director Sydney Pollack forgot to use clapperboards while filming, making editing the footage together a logistical nightmare). A one-of-a-kind theatrical experience nearly a half-decade in the making.

Family A heartwarming, R-rated indie comedy about a makeshift family shaken up when a troubled teen runs away from home to become a Juggalo.

Movies We’ve Already Enjoyed

High Life Claire Denis launches the same fascinated disgust over human bodily fluids she exhibited in Trouble Every Day into outer space in an eerie, slow-moving sci-fi horror. This is divisive, artsy-fartsy filmmaking that has even split the opinions of the Swampflix crew, but it’s something that demands to be seen in the immersive dark of a proper movie theater. Playing only at The Broad.

Buckjumping A local documentary on New Orleans dance traditions that captures the spirit of the city in a way few films do. It often feels like a 2010s update to Always for Pleasure, which I mean as a high compliment. Playing only at The Broad.

Us Jordan Peele follows up his instantly iconic debut feature Get Out (Swampflix’s favorite film of 2017) with a surreal freak-out about doppelgangers & class-disparity. From Boomer’s review: “Us is more ambitious than its predecessor, meaning that sometimes it swings a bit wider but ultimately has the same meticulous attention detail, from literal Chekovian guns to a multitude of characters being literally and metaphorically reflected in surfaces both pristine and cracked.”

-Brandon Ledet

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