Midsommar is my favorite 2019 release I’ve seen so far, with only a quarter of the year left to go. Its morbid humor, detailed costume & production design, and dread-inducing continuation of Wicker Man-style folk horror made for an immensely satisfying theatrical experience. Twice! Last month, A24 re-released Midsommar back into theaters for an unexpected victory lap in an extended “director’s cut,” which was an excellent excuse to revisit the film to see if I was still as high on its perverse charms as I was when it was first released. To my delight, it was even better the second time around, with plenty of winking references to the horrors to come in the film’s transcendent third act telegraphed hours earlier in plain sight (especially involving bear imagery & the Swedish cultists’ blatant honesty about the rituals they’d be performing at the violent height of the festival). However, I don’t think people need to stress too much about having missed the extended, three-hour cut of the film if it didn’t happen to play in a city nearby. You’ll be fine.
No sooner did the extended cut disappear from theaters than it was announced that its streaming rights would be exclusive to Apple TV later this year. That means physical media releases of the film will only include the original theatrical cut, which is the exact kind of thing that drives rabid Blu-ray collectors into apoplectic mania. I was already seeing some online pushback against the extended re-release of the film as an “A24 cash grab,” and those grumblings only gained intensity after the announcement of its precarious life on home video after the fact. I suppose the assumption is that there will eventually be a “Collector’s Edition” re-release of the Blu-ray with the extended cut included as an extra or that, worse yet, it will never reach physical media at all, as its exclusive streaming rights are a better commodity that way. Personally, I can’t be too mad at smaller companies like A24 for working every angle they can to turn a profit in an increasingly tight, over-crowded market dominated by big-budget, Disney-owned IPs. I also can’t be too mad because the extended cut of Midsommar is something of a fans-only novelty. The original release was far superior.
The experience of seeing the extended cut of Midsommar on the big screen was deeply rewarding as an already converted devotee, but not really in any way that could be recreated at home via physical media replay. The original cut of the film tells the exact same story as the extended one. The recovered, extraneous content of the extended cut packs in more Jokes, but narrative-wise only makes what’s already obvious about the characters onscreen more blatantly explicit. Christian is more of a jerk; Josh is more of a selfish academic; Mark is more of a dunce; Pelle is more of a liar; Dani is in more of a daze, etc. It felt like exactly what it was: hitting Play All on the Deleted Scenes menu of a DVD you already loved just as much without them. There’s nothing especially substantial about the extended cut of Midsommar that you haven’t already seen streamlined in the original; at most you missed a few extra laughs. Both cuts were also approved by Ari Aster himself, so it’s not like you could pass the newer one off as a “Director’s Cut.” They’re both director’s cuts. One is just unnecessarily longer.
Most of what I got out of seeing Midsommar on the big screen a second time would have been exactly the same as if it had been the same cut on both watches. As a fan, though, I’m still extremely grateful of A24 for re-releasing the film for a late-summer victory lap. Mostly, that’s because the crowd attracted to seeing an extended release of this already long, niche horror film were a lot savvier than the first batch. Whereas the first crowd I saw it with received the film in perplexed, frustrated silence, pretty much all the jokes landed in the exact right way the second time. No one really laughed at inappropriate moments where humor was not intended either, which feels like an even rarer treat. Plus, all the women in the room were audibly groaning in frustration anytime Christian opened his big dumb mouth throughout, which was incredibly heartwarming after months of bizarre “Christian wasn’t that bad” apologism in the months since the initial release. Maybe a few extra scenes of him being a colossal dipshit helped amplify that reaction, but for the most part the improved environment of the screening had to do more with the crowd the extended cut attracted, not the deleted scenes it recovered.
Watch Midsommar again! It plays even better the second time. Details like the summer camp vibe of the fictional excursion resembling a traditional slasher template and the ursine implications of a cultist clapping in Christian’s face to scare him will jump out at you on a revisit. Just don’t stress too much about “missing out” on the extended cut in this temporary purgatory where its availability is being limited so that A24 can better pay the bills. If you missed the extended cut in theaters you already missed what made the experience special: its ability to draw like-minded weirdos out of their hidey holes to create a better communal atmosphere for the film’s perverse sense of humor. You can totally recreate that experience at home with the original cut by just being selective about what friends you invite over to share it with you. If anything, you’re just saving everyone a half-hour of their time.