A recurring theme in the discussion of our current Movie of the Month, the Gen-X vampire slacker drama Blood & Donuts, is how unexpectedly low-key & tempered its mood was. You’d think that a mid-90s horror movie about a vampire who frequents a donut shop would be an over-the-top camp fest, but instead the film is quietly melancholy & introspective. Even the title Blood & Donuts suggests a quirky splatter comedy, but the film it’s attached to is low on both gore & guffaws. We mostly just watch a tragically sexy vampire mope around late-night Toronto hangout spots while reluctantly seducing potential victims into his orbit. He’s much more likely to scrapbook or take a long bath than he is to dispose of a victim in a comically violent spectacle, and it takes a while to adjust to that melancholy sensibility thanks to the expectations set by its genre & setting.
When poking around for other feature films set in donut shops, I did eventually stumble upon a title that delivers on the campy horror comedy payoffs Blood & Donuts only teases. 2016’s microbudget cheapie Attack of the Killer Donuts is the exact over-the-top donut shop creature feature we expected our Movie of the Month to be, although it’s one that arrived decades past its time. In the film, two teenage slacker employees of the all-night cafe Dandy Donuts find themselves defending their community against an army of mutant, bloodthirsty pastries. When a local mad scientist’s “reanimation serum” (a flourescent green liquid transported around in cartoonishly oversized syringes, Stuart Gordon style) accidentally plops into the deep fryer at Dandy Donuts, the donuts that hop out of the fry basket are sentient, poisoned, and eager to rip out customers’ throats with their fangs. The teenage employees take responsibility for the incredible event and attempt to destroy the little donut monsters before they escape to destroy the community outside their humble, sparsely decorated shop. The rest of the movie writes itself. Unlike Blood & Donuts, Attack of the Killer Donuts is exactly what you expect it to be.
Of course, in most ways, the subtler, less predictable of the donut shop horror film is the more rewarding one. For instance, the complexity of Blood & Donuts’s vampiric anti-hero struggling to make romantic connections with mortal humans without damning them to death or eternal pain is much more interesting than the standard will-they-won’t-they cliché played out between Attack of the Killer Donuts’s generic teens. When the mutant donuts are inevitably squashed at the end of that 2010s novelty but the film continues to resolve the romantic “tension” between its two leads for several meatus of denouement, all you can do is beg for mercy that it will all end soon. Conversely, the romantic fallout of Blood & Donuts after its own bowling alley mafia villains (headed by David Cronenberg, of all people) are thwarted is one of the more compelling stretches of the film, way more engaging than the conflict presented by the villains themselves. Attack of the Killer Donuts has no chance to outshine Blood & Donuts in terms of craft or pathos. It only has one weapon in its arsenal to satisfy its audience and it’s right there on the in: killer donuts.
The potential delights offered by those killer donuts are obviously limited both by the meager means of the film’s budget and by the audience’s personal patience for winking-at-the-camera, so-bad-it’s-good humor. Attack of the Killer Donuts would’ve had to have been shot on video thirty years ago to be especially worthy of a recommendation, but it’s occasionally charming it its own low-stakes way. The fanged mutant donuts themselves are eyeroll-worthy when they’re rendered in cheap CG, but when they’re shown in closeups as practical puppets, they’re adorably grotesque. The film also has enough of a sense of humor about its own inherent silliness that it’s difficult to be too hard on it, as it ultimately feels like a group of friends putting on a D.I.Y. puppet show as a goof. You can immediately tell whether or not that purposefully goofy B-movie throwback novelty will please you or annoy you, whereas Blood & Donuts’s tonal bait & switch is more open to surprise & discovery as it unfolds. The only thing I can report here is that Attack of the Killer Donuts is the exact movie I expected Blood & Donuts to be; it just arrived a few decades past its prime.
For more on September’s Movie of the Month, the Gen-X Canuxploitation vampire drama Blood & Donuts (1995), check out our Swampchat discussion of the film and last week’s look at its unlikely symmetry with Tangerine (2015).