Here are the few movies we’re most excited about that are screening in New Orleans this week, including a couple of our favorite picks from The Overlook Film Festival.
Movies We Haven’t Seen (Yet)
Hustlers – A surprise critical-hit thriller about a crew of strippers who embezzle money from the Wall Street bozos who frequent their club. Features performances from pop music icons Lizzo, Cardi B, Keke Palmer, and Jennifer Lopez. Playing wide.
Downton Abbey – The world’s best-dressed soap opera is back for a theatrical victory lap! Bigger, louder, and probably just as well-behaved as ever. Playing wide.
After the Thin Man (1936) – The first of five(!!!!!) sequels to the classic pre-Code studio comedy The Thin Man, wherein a wealthy alcoholic couple down martinis & trade witty sex jokes at a rapidfire pace in-between solving crimes as private detectives. Screening at the Prytania as part of their Classic Movies series on Sunday 9/22 and Wednesday 9/25.
Movies We’ve Already Enjoyed
Funeral Parade of Roses (1969) – Part French New Wave, part Benny Hill, and part gore-soaked horror, Funeral Parade of Roses is a rebellious amalgamation of wildly varied styles & tones all synthesized into an aesthetically cohesive, undeniably punk energy. Shot in a stark black & white that simultaneously recalls both Goddard & Multiple Maniacs, the film approximates a portrait of queer youth culture in late-60s Japan. Screening free to the public (with donations encouraged) Thursday 9/19 at the LGBT Community Center of New Orleans as part of their ongoing Queer Root series.
One Cut of the Dead – A deceptively complex crowd-pleaser that starts as a low-key experiment in staging a single-take zombie movie, but eventually evolves into a heartfelt love letter to low-budget filmmaking of all types (and all the frustrations, limitations, and unlikely scrappy successes therein). One of the best films I’ve seen all year. Screening at Zeitgeist in Arabi (ahead of its eventual streaming release on the horror platform Shudder).
Tigers Are Not Afraid – A dark fairy tale ghost story about Mexican drug cartels that’s admirably committed to its own sense of brutality, threatening to destroy young children by bullet or by ghost without blinking an eye. Anyone especially in love with similar past works like The Devil’s Backbone or The City of Lost Children should find a lot worthwhile here, though there’s a specificity to the Mexican drug cartel context that saves the film from feeling strictly like an echo of former glories. Screening at Zeitgeist in Arabi (ahead of its eventual streaming release on the horror platform Shudder).