In one of the more recent episodes of The Swampflix Podcast, Brandon, James, and I got together to virtually discuss what we categorized as “smart zombie movies.” During the recording, I mentioned that I’m not a fan of George Romero’s zombie films, such as Night of the Living Dead, Day of the Dead, Dawn of the Dead, etc. I find them to be boring, and I just really don’t care to waste time watching them. I know that is a blasphemous thing to say since he is considered to be one of greatest horror filmmakers of all time, but I’m just speaking my truth. Then, a few nights ago, I stumbled across a film called Season of the Witch. At first, I thought it was my favorite entry in the Halloween series (Halloween III: Season of the Witch), but it actually turned out to be one of Romero’s earliest films. It also happened to be considered one of his worst. Of course, I ended up enjoying it.
Season of the Witch has an interesting backstory. It was written and directed by George Romero and produced by his first wife, Nancy Romero. It was originally marketed as a softcore porn film called Hungry Wives with a poster that featured drawings of a few sultry women and the tagline, “Caviar in the kitchen, nothing in the bedroom.” The film itself is far from being anything close to a softcore porn; well, minus one quick sex scene and a few nude moments. It was the distributor who pushed Romero in the softcore direction, wanting him to incorporate pornographic sex scenes between the film’s main character and her young lover, but Romero refused. He had a different vision.
Influenced by second-wave feminism, Romero made a fantastic film about a dissatisfied housewife who dabbles in the occult, and he did it all with a budget of about $100,000 (it was originally $250,000 before his funding dropped). The main character, Joan Mitchell, is played by actress Jan White. White is somehow only credited with acting in four films (many of them from the 1970s). I was shocked to find out that her acting career was so short, because she is phenomenal in Season of the Witch. She has such a naturally entrancing, striking look that I couldn’t take my eyes off of. Something about her is so delightfully haunting. To make things even better, she wears some of the most magnificent beehive wigs and late 1960s/early 1970s fashion. There’s also tons of cobalt blue carpet throughout the film that serves as an exquisite backdrop for her fabulous looks.
Season of the Witch starts off in a very exciting way. It opens up with a long dream sequence where Jan is walking in the woods while being ignored by her husband, and encountering all sorts of other bizarre dreamlike things (spooky music included). It gives off major The Feminine Mystique vibes. Jan is a housewife with an abusive husband and young-adult daughter, so she’s at the point in her life where she’s trying to figure out what her next step is. At a neighborhood party, she discovers that one of her neighbors is a witch. This sparks an interest in her, so she decides to explore the practice of witchcraft. There’s a great scene where she goes into town to shop for witchy supplies while Donovan’s “Season of the Witch” plays in the background. The first spell she casts is a love spell that results in her having a tryst with her daughter’s lover. It’s so scandalous! As she dives deeper into the occult, she has progressively intense dreams about someone in a rubber demon mask breaking into her home. The dream later becomes infused with her reality, leading to a shocking act that I won’t spoil in this review.
Season of the Witch is not a horror movie, so don’t go into it expecting anything of the sort. It’s also not the softcore porn it was marketed as initially. It’s simply a wonderful drama that explores the internal struggles of an unhappy suburban housewife through the use of witchcraft. I was so impressed with this film, and I have a newfound appreciation for George Romero. I can’t wait to explore more of his non-zombie movies from this era. Hopefully I’ll find more hidden gems like Season of the Witch.
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