There’s something a little off about My Demon Lover director Charlie Loventhal’s filmography as listed on IMDb. Loventhal seems to have a small string of slightly-edgy rom-coms that fit in with half of My Demon Lover‘s basic appeal but what about the magical, demonic half that makes My Demon Lover unique within that genre? There’s no element of fantasy or mysticism immediately detectable in the rest of Loventhal’s work, which makes My Demon Lover feel like something of an outlier in his catalog. I feel like I have encountered a director before who was working well withing My Demon Lover’s wheelhouse, though, and oddly enough it was someone we’ve covered here for a previous Movie of the Month.
Last summer Britnee presented the straight-to-VHS action fantasy Highway to Hell as a Movie of the Month selection. Everything about Highway to Hell, from the creature design to the sex obsession to the cartoon humor to the general sense of where it belongs in the VHS era, fits right in line with My Demon Lover‘s lighthearted approach to demonic black magic. The only thing missing from the film’s formula is Bugs Bunny charm of My Demon Lover‘s titular heartthrob Beelzebub, Kaz (played by Family Ties‘s Scott Valentine). However, the same year he released Highway to Hell, director Ate de Jong also unleashed his most noteworthy contribution to cult cinema: Drop Dead Fred. In Drop Dead Fred deceased funnyman Rik Mayall plays a child’s obnoxious imaginary friend that’s downright demonic in his pure id sense of humor & anarchy, a perfect mirror to My Demon Lover‘s Kaz, right down to the oversized blazer. There’s even a rom-com structure to Drop Dead Fred not too dissimilar to the schleppy lady protagonist Denny’s in My Demon Lover. In Loventhal’s catalog My Demon Lover feels almost entirely out of place. Among Ate de Jong’s releases in just the year of 1991, it fits just like a glove.
I’m not sure exactly how to think about this connection. It’s tempting to assume that because My Demon Lover was released a few years ahead of its Ate de Jong counterparts that the film served as some sort of inspiration for what was to follow. That feels unlikely, though. My Demon Lover, Highway to Hell, and Drop Dead Fred all feel like the kinds of films made purely for their supposed marketability, not necessarily with any specific artistic merit in mind. These are not the works of highfalutin auteurs. What I can say for sure, though, is if you enjoyed My Demon Lover & are searching for similar works centered on the same kind of VHS-specific, goofy demonic aesthetic, looking to director Loventhal’s other titles is a step in the wrong direction. I’d suggest instead that you start with de Jong’s 1991 output in Drop Dead Fred & Highway to Hell. If you had told me de Jong directed My Demon Lover I would’ve shrugged & said “Duh.” based on those two films alone. Together as a trio, they seem to complete a picture crafted by a single artistic mind (in the trashiest sense of that phrase), even though they truthfully have very little to do with one another.