Mary and the Witch’s Flower is the exact kind of movie that’s destined to be undervalued & taken for granted on sight. The first picture from the Studio Ghibli spinoff production company Studio Ponoc, it’s automatically going to suffer many unflattering comparisons to classic Hayao Miyazaki works like Kiki’s Delivery Service & Spirited Away. Adapted from the 1971 fantasy novel The Little Broomstick, which heavily features a school for witches & wizards, the film is also likely to be compared unfavorably to J.K. Rowling’s Harry Potter series (which likely borrowed just as much from its source material as it did elsewhere; Rowling’s work is practically a pastiche). Instant familiarity is destined to temper a lot of enthusiasm for Mary and the Witch’s Flower, but that kind of dismissive ungratefulness doesn’t consider just how rare of a treat this kind of thoughtful, traditionally animated work actually is on the modern children’s film cinema landscape. Given how much of a sucker I was for the goofy magic of The Worst Witch (speaking of works that likely heavily inspired Harry Potter) and the anime-lite tones of Little Nemo’s Adventures in Slumberland at the time, I’m convinced this would have been my favorite movie as a kid, were it released in the early 1990s. Anime has gradually become the last refuge for thematically thoughtful, intricately crafted traditional 2D animation. It’s worth celebrating a new studio’s arrival as a contributor to keeping that tradition alive instead of brushing them off for feeling like they’ve always been around. Besides, as a subject, witchcraft is just inherently badass.
The titular Mary is a bored preteen wasting away the final scraps of her summer in her great-aunt’s gorgeous country home. This idleness inspires her to follow a couple mischievous kittens into the woods in a down-the-rabbit-hole experience that lands her in a magical realm of witchy universities, mad scientists, and wild hybrid beasts that resemble psychedelic Pokémon. She accidentally stumbles into a Chosen One plot arc in this new world thanks to a magical flower & a sassy broomstick that temporarily grant her extraordinary witch powers. From there, it’s a race against the clock for Mary to save a damsel in distress Anime Boy from the clutches of the evil schoolmarm & her side kick scientist and to put a stop to put their cruel animal experiments before she’s found out to not be the Chosen One at all, but rather an intruder & a fraud. The story Mary and the Witch’s Flower tells isn’t nearly as complex thematically as it is impressive visually. The lessons learned here are, again, familiar to classic children’s media narratives: learning to be confident in your own abilities and accepting the things you cannot change about yourself (especially your physical attributes). The movie is much more interesting in the way it wakes its young audience up the magic of the mundane. Simple, everyday activity like the pleasure of gardening and the science of electricity is framed as a kind of real-world witchcraft, enticing children to find interest in both magic & science and the grey area between them. It may not be a mind-blowing feat in intricate storytelling, but it is adorably animated and easy to love. This is the exact kind of immersive comfort food I would have ground into dust, were it released in the days of obsessively repeated VHS viewings.
Instead of focusing on how Mary and the Witch’s Flower isn’t quite as intricately animated as Ghibli classics or as immersive in its books-long world-building as the Harry Potter series, I was swept away by its warm, familiar charm. It’s an increasingly rare treat to see traditional animation on the big screen in recent years, anime or otherwise, and I greatly appreciate the arrival of Studio Ponoc (and the surprisingly trustworthy distribution company GKIDS) for keeping the experience alive. The onscreen witchcraft was dazzling. The glockenspiel-heavy score occasionally felt like a G-rated Suspiria. The world it created was a fantasy space I’d love to mentally dwell in for a magical eternity. The only real bummer for me was that the theater was sparsely attended by appreciative cinema & anime nerds instead of being packed with wide-eyed, witchy children. I would have loved for Mary and the Witch’s Flower’s easy familiarity to have been a result of it always being in my life the way titles like Little Nemo & The Worst Witch have; I hope it finds the right kids at the right time so they can have that experience in my place.
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