Movies to See in New Orleans This Week 4/18/19 – 4/24/19

Here’s a quick rundown of the movies we’re excited about that are screening in New Orleans this week, running the full range between weirdo art films & major studio superhero behemoths that don’t really need your money.

Movies We Haven’t Seen (Yet)

High Life Claire Denis dips her toe into eerie space horror, by which I mean she dives head first into the deep end. This looks like a creepily kinky slowburn of an outer space nightmare, something you do not want to miss while it’s on the big screen.

The Field Guide to Evil An international folktale horror anthology featuring contributions from the directors of The Duke of Burgundy, The Lure, Baskin, and Goodnight Mommy. Screening only at The Broad.

Amazing Grace A 1972 Aretha Franklin concert film that wasn’t fit for distribution until this year because of technical issues in its production (original director Sydney Pollack forgot to use clapperboards while filming, making editing the footage together a logistical nightmare). A one-of-a-kind theatrical experience nearly a half-decade in the making.

200 Motels (1971) – A road trip mockumentary co-directed by Frank Zappa as a kind of surrealist self-portrait. Features appearances form Ringo Starr, Keith Moon, and an onslaught of psychedelic filmmaking effects. Playing Saturday 4/20 at The Broad Theater as part of their day-long celebration of stonerdom.

Movies We Already Enjoyed

Life of Brian (1979) – The Monty Python’s cheekily blasphemous comedy classic about a man who was born on the same day as and next door to Jesus will be screening the morning of Easter Sunday 4/21 as part of Prytania’s Classic Movies series. Consider it a cathartic alternative to church.

Us Jordan Peele follows up his instantly iconic debut feature Get Out (Swampflix’s favorite film of 2017) with a surreal freak-out about doppelgangers & class-disparity. From Boomer’s review: “Us is more ambitious than its predecessor, meaning that sometimes it swings a bit wider but ultimately has the same meticulous attention detail, from literal Chekovian guns to a multitude of characters being literally and metaphorically reflected in surfaces both pristine and cracked.”

SHAZAM! A surprisingly goofy entry into the DCEU that combines campy throwbacks to superhero comics’ ancient past with a distinctly 1980s kids-in-peril aesthetic. Boomer called it “a whole hell of a lot of fun, a modern-day kid’s wish fulfillment film that harkens back to a time when it was still possible for such a thing to be dark, vulgar, and tongue-in-cheek.”

Captain Marvel In case you’ve been putting it off, it’s your last week to catch up with the 21st entry in the MCU before the 22nd arrives next week: Avengers – End Game. From Boomer’s review: “Fitting for a movie that is at least on some level about both Girl Power and The 90s, the comparison that kept coming to my mind was 1992’s Buffy the Vampire Slayer. The scene in which Vers steals a guy’s motorcycle for telling her to smile reads just like the scene in that film in which the original Kristy Swanson Buffy does the same after a rude biker asks if she ‘wants some real power between [her] legs.’ It’s a sanitization of something, to make it more palatable for you to be able to bring your kids to see the new superhero movie, but it’s almost the same scene, and I genuinely enjoyed that the film evoked that rhetorical space in the era of its birth.”

-Brandon Ledet

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