For the past few months, I’ve shifted our weekly “What’s Playing in Local Theaters” report to a list of Swampflix-recommended movies you can stream at home. This choice was initially a no-brainer, as the governor had ordered the closure of all Louisiana movie theaters in response to the ongoing COVID-19 crisis. More recently, cinemas are allowed to operate again as part of the state’s gradual re-opening strategy, but I’m personally not confident that’s such a great idea yet. So, I’m still going to stick with Online Streaming options as a moviegoing substitute for the time being.
In that spirit, here are some suggestions for movies that you can stream at home while under quarantine: a grab bag of movies Swampflix has rated highly that are currently available for home viewing.
Streaming with Subscription
Class of 1999 (1989)– From our Movie of the Month discussion: “I love this movie. It’s a perfect encapsulation of worst case, slippery slope thinking with regards to teen violence, a misplaced jeremiad warning of dark days to come–won’t someone please, please think of the children? Bradley Gregg, star of many of my adolescent fantasies (and one of the dream warriors from Nightmare on Elm Street 3), parades around in an outfit that manages to be both utterly ridiculous and strangely sexy, featuring skin-tight leather pants emblazoned with the word ‘war’ over and over again and a form-fitting tee under an oversized babydoll jacket. He has nothing on Keach, of course, who struts around in this film with a platinum ponytail and matching (painful looking) contact lenses, while still somehow managing to play this ludicrous role as straight as possible. Throw in the other stars in the cast, like Grier and McDowell, and it’s a surprise that this Terminator ripoff made barely half of its relatively low budget back in ticket sales.” Currently streaming for free (with ads) on Vudu & TubiTV.
Phenomena (1985) – From Boomer’s review: “Not a giallo picture in the way that many of Argento’s works definitively are or even Suspiria arguably is; although there is a mystery at its core, the crimes cannot be solved by the audience, making this much more of a slasher movie than other entries in the director’s canon, which may have contained elements of the slasher genre but were narratively focused on investigation. Running throughout the film is an undercurrent of terror, which is paired with distinctly beautiful imagery to create a film experience that is more haunting than inquisitive.” Currently streaming on Amazon Prime, Shudder, and for free (with a library membership) on Kanopy.
Wes Craven’s New Nightmare (1994) – From my review: “My personal favorite Wes Craven film. It’s not his scariest, nor his most tightly-controlled work, but it is an incredibly smart picture that manages to bridge the gap between the dream-logic horror of A Nightmare on Elm Street with the meta genre reflection of the soon-to-come Scream franchise. Wes Craven’s New Nightmare is a perfect way to remember the filmmaker for all he accomplished, not only because it marries those two defining moments of his career in a single picture, but also because he plays a role in the film as a fictionalized version of himself.” Currently streaming on Shudder.
Knives Out (2019) – From Boomer’s review: “I’ve long been a fan of comedy pastiches and homages of genres that function perfectly as examples of those genres despite humorous overtones; my go-to example is Hot Fuzz, which I always tout as having a more sophisticated murder mystery plot than most films than most straightforward criminal investigation media (our lead comes to a logical conclusion that fits all of the clues, but still turns out to be wrong). Knives Out is another rare gem of this type, a whodunnit comedy in the mold of Clue that has a sophisticated and winding plot.” A $5 rental on all major VOD platforms.
42nd Street (1933) – From my review: “I entered 42nd Street expecting a respectable, traditional backstage musical with some early glimpses at the extravagant choreography that made Busby Berkeley a legend. What I found was a technically gorgeous porno about women’s stockinged legs, a film that was much more interested in the infinite potential ways those body parts could be displayed & arranged than it was in the inner lives of the women attached to them. It’s shameless smut hiding behind an artistic pretense and has been historically lauded due to its Depression Era context; in other words, it’s a gem.” A $4 rental on all major VOD platforms.
Dangerous Liaisons (1988) – From my review: “Just as overtly horny & sadistic as its soft-remake Cruel Intentions, but combines those impulses with the meticulously staged pomp of lush costume dramas – recalling the peculiar tone of genre outliers like Barry Lyndon & The Favourite. Characters peeping through keyholes, foppishly being dressed & perfumed by their servants, and firing off barbed phrases like “I’ve always known that I was born to dominate your sex and to avenge my own” feel like they’re getting away with something you can only do in period films, and Dangerous Liaisons benefits greatly from that setting.” A $3 rental on all major VOD platforms (or for free with a subscription to HBOGo).